J A Z Z   G A L L E R Y  #1  
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Jazz Gallery #2#3#4  >>

AMERICAN-JAZZ-w-frame-original fine art image
AMERICAN JAZZ

BOOGIE-WOOGIE original fine art image
BOOGIE WOOGIE

HIGH original fine art image
HIGH

SINGIN'-THE-BLUES original fine art image
SINGIN' THE BLUES

FIVE-GUITARSoriginal fine art image
FIVE GUITARS

TIME-OUToriginal fine art image
TIME OUT

PATCHESoriginal fine art image
PATCTHES

THE-BEAToriginal fine art image
THE BEAT

PIANO-LESSONS original fine art image
PIANO LESSONS

REPAINT I original fine art image
REPAINT I

JAZZ-GAMEoriginal fine art image
JAZZ GAME

CONGA-MAN-original fine art image
CONGA MAN

BLUE HARMONICA 450.jpg (93530 bytes)
BLUE HARMONICA

VIOLINIST, THE.jpg (158157 bytes)
VIOLIN MAN

CELLO---24X18-AC 450.jpg (67573 bytes)
CELLO

CLARINET MARMALADE  450.jpg (89271 bytes)
CLARINET MARMALADE

TRAD.jpg (32125 bytes)
TRAD

IN-TUNE.jpg (29513 bytes)
IN TUNE

CONEY-ISLAND-450.jpg (35686 bytes)
CONEY ISLAND WASHBOARD

COMPOSER-.jpg (16481 bytes)
COMPOSER

WINGED-BANJO-20X20-OIL-450.jpg (27094 bytes)
WINGED BANJO

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Jazz Gallery #2#3#4  >>

The inspiration for these fine art paintings comes from attending Dixieland Jazz festivals and shows where my husband performs.  I was moved by that "foot stomping, hand clapping, knee twitching, head shaking, feel good" music and decided to use "Dark Humor" to interpret and depict the fun and absurdity of  Jazz language in these oil paintings.  “SAX MAN”, the very first painting in this series, represents the “illusion” of Jazz: fun–not perfect!  I was feeling the abstraction of Jazz and seeing it on my canvases.  “This is right!”—It felt good, as each image appeared….combining realism and surrealism.  The base drum, in “THE BEAT”, explodes with energetic enthusiasm while the coronet plays on with carefree abandon!  The vibrant play of its colors demonstrates all the wild and joyous magic of artistic improvisation.  In “BOOGIE WOOGIE”, the couple’s heads are lost in the music while their feet dance to a different beat!  “SINGIN' THE BLUES” is sharing her soul with us.  “MORNING AFTER” is what it is!  In “TRIANGLE”, the piano man pines for the singer, the singer longs for the banjo man and the banjo man is oblivious to all but his music.  “PATCHES” is the comic absurdity of Jazz.  “AMERICAN JAZZ” came after fateful September 11! ~ Irene

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