J A Z Z   G A L L E R Y  #2
Home  | Galleries | PurchaseSiteMap | Contact | links | Bio | Guestbook

<< back Jazz Gallery #1

 ~~~ click on any image to enlarge~~~ 

Jazz Gallery #3,  #4 >>

MOODS original fine art image
MOODS

HAPPY-PIANOoriginal fine art image
HAPPY PIANO

CRYoriginal fine art image
CRY

JAZZY-original fine art image
JAZZY

JIVE original fine art image
JIVE

RAGTIMEoriginal fine art image
RAGTIME

A CLASSIC original fine art image
A CLASSIC

ZOOM original fine art image
ZOOM

BLUES NOW & THEN original fine art image
BLUES NOW & THEN

BEE-BOP- original fine art image
BE-BOP

REPAINT II original fine art image
REPAINT II

CORONET original fine art image
CORONET

DIVINE-CALL.jpg (25630 bytes)
DIVINE CALL

PARTY-.jpg (18955 bytes)
PARTY TIME

FLAPPER.jpg (30861 bytes)
FLAPPER

TWO-PART20X16-OIL-450.jpg (32886 bytes)
TWO PART HARMONY

MY-WALKING-STICK-450.jpg (28870 bytes)
MY WALKING STICK

BLUES-BROTHERS-450-.jpg (37466 bytes)
BLUES BROTHERS

MUSIC.jpg (55352 bytes)
MUSIC

SPLASH-.jpg (20718 bytes)
SLASH

YELLOW-DOG-BLUES-450.jpg (36789 bytes)
YELLOW DOG BLUES

<< back Jazz Gallery #1

Jazz Gallery #3,  #4 >>

The inspiration for these fine paintings comes from attending Dixieland Jazz festivals and shows where my husband performs.  I was moved by that "foot stomping, hand clapping, knee twitching, head shaking, feel good" music and decided to use "Dark Humor" to interpret and depict the fun and absurdity of  Jazz language in these oil paintings.  “SAX MAN”, the very first painting in this series, represents the “illusion” of Jazz: fun–not perfect!  I was feeling the abstraction of Jazz and seeing it on my canvases.  “This is right!”—It felt good, as each image appeared….combining realism and surrealism.  The base drum, in “THE BEAT”, explodes with energetic enthusiasm while the coronet plays on with carefree abandon!  The vibrant play of its colors demonstrates all the wild and joyous magic of artistic improvisation.  In “BOOGIE WOOGIE”, the couple’s heads are lost in the music while their feet dance to a different beat!  “SINGIN' THE BLUES” is sharing her soul with us.  “MORNING AFTER” is what it is!  In “TRIANGLE”, the piano man pines for the singer, the singer longs for the banjo man and the banjo man is oblivious to all but his music.  “PATCHES” is the comic absurdity of Jazz.  “AMERICAN JAZZ” came after fateful September 11! ~ Irene

© Irene Nowicki. All rights reserved.