J A Z Z   G A L L E R Y  #3
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Jazz Gallery #4 >>

WHISTLIN'-IN-THE-WIND original fine art image
WHISTLING IN THE WIND

BLOOMING-SAX- original fine art image
BLOOMING SAX

JAZZ-DREAM  original fine art image
JAZZ DREAM

SACKBUT- original fine art image
SACKBUT

CANARY  original fine art image
CANARY

RAINBOW-SAX  original fine art image
RAINBOW SAX

JAZZ-CITY original fine art image
JAZZ CITY

DR-JAZZ  original fine art image
DR. JAZZ

BLUE-FLUTE original fine art image
BLUE FLUTE

AFTER-HOURS original fine art image
AFTER HOURS

SAX-BLUES- original fine art image
SAX BLUES

NOODLES original fine art image
NOODLES

MELANCHOLY-BABY-450.jpg (28940 bytes)
MELANCHOLY BABY

SOUSAPHONE.jpg (21097 bytes)
SOUSAPHONE

YELLOW-GUITAR--20'-x-16'--o.jpg (25065 bytes)
YELLOW GUITAR

SUBTLE-NOTES-.jpg (18575 bytes)
SUBTLE NOTES

REEDS-450.jpg (31891 bytes)
REEDS

PLAYERS-.jpg (16189 bytes)
PLAYERS

LATIN-JAZZ-450.jpg (39176 bytes)
LATIN JAZZ

DISRUPTION.jpg (32332 bytes)
DISRUPTION

SOUR-NOTES.jpg (49831 bytes)
SOUR NOTES

<< Jazz Gallery #1 #2  

Jazz Gallery #4 >>

The inspiration for these fine paintings comes from attending Dixieland Jazz festivals and shows where my husband performs.  I was moved by that "foot stomping, hand clapping, knee twitching, head shaking, feel good" music and decided to use "Dark Humor" to interpret and depict the fun and absurdity of  Jazz language in these oil paintings.  “SAX MAN”, the very first painting in this series, represents the “illusion” of Jazz: fun–not perfect!  I was feeling the abstraction of Jazz and seeing it on my canvases.  “This is right!”—It felt good, as each image appeared….combining realism and surrealism.  The base drum, in “THE BEAT”, explodes with energetic enthusiasm while the coronet plays on with carefree abandon!  The vibrant play of its colors demonstrates all the wild and joyous magic of artistic improvisation.  In “BOOGIE WOOGIE”, the couple’s heads are lost in the music while their feet dance to a different beat!  “SINGIN' THE BLUES” is sharing her soul with us.  “MORNING AFTER” is what it is!  In “TRIANGLE”, the piano man pines for the singer, the singer longs for the banjo man and the banjo man is oblivious to all but his music.  “PATCHES” is the comic absurdity of Jazz.  “AMERICAN JAZZ” came after fateful September 11! ~ Irene

© Irene Nowicki. All rights reserved.