JAZZ GALLERY #4
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Jazz Gallery #5 >>

SOUSAPHONE.jpg (21097 bytes)
SOUSAPHONE

PLAYFUL-TUBA-450.jpg (29374 bytes)
PLAYFUL TUBA

TOOTIN' 400.jpg (53356 bytes)
TOOTIN'

UMBRELLA PARADE original fine art image
UMBRELLA PARADE

RED-TOP original fine art image
RED TOP

DIVINE-CALL.jpg (25630 bytes)
DIVINE CALL

MUSIC-ROOM-.jpg (33304 bytes)
MUSIC ROOM

ZOOM original fine art image
ZOOM

SURF--450.jpg (22912 bytes)
SURF

CAJUNS-.jpg (30333 bytes)
CAJUNS

COMPOSER-.jpg (16481 bytes)
COMPOSER

JAZZ-FAN- original fine art image
JAZZ FAN

TRILL-450.jpg (26276 bytes)
TRILL

SPOT.jpg (37207 bytes)
SPOT

CONEY-ISLAND-450.jpg (35686 bytes)
CONEY ISLAND WASHBOARD

MELANCHOLY-BABY-450.jpg (28940 bytes)
MELANCHOLY BABY

VIOLINIST, THE.jpg (158157 bytes)
VIOLIN MAN

FIDDLE-&-BOW.jpg (25467 bytes)
FIDDLE & BOW

FIDDLIN'-AROUND-.jpg (17716 bytes)
FIDDLIN' AROUND

JAZZ-GAMEoriginal fine art image
JAZZ GAME

JAZZ-DREAM  original fine art image
JAZZ DREAM

<< Jazz Gallery #1 #2,  #3

~~~ click on any image to enlarge~~~ 

Jazz Gallery #5 >>

The inspiration for these fine art paintings comes from attending Dixieland Jazz festivals and shows where my husband performs.  I was moved by that "foot stomping, hand clapping, knee twitching, head shaking, feel good" music and decided to use "Dark Humor" to interpret and depict the fun and absurdity of  Jazz language in these oil paintings.  “SAX MAN”, the very first painting in this series, represents the “illusion” of Jazz: fun–not perfect!  I was feeling the abstraction of Jazz and seeing it on my canvases.  “This is right!”—It felt good, as each image appeared….combining realism and surrealism.  The base drum, in “THE BEAT”, explodes with energetic enthusiasm while the coronet plays on with carefree abandon!  The vibrant play of its colors demonstrates all the wild and joyous magic of artistic improvisation.  In “BOOGIE WOOGIE”, the couple’s heads are lost in the music while their feet dance to a different beat!  “SINGIN' THE BLUES” is sharing her soul with us.  “MORNING AFTER” is what it is!  In “TRIANGLE”, the piano man pines for the singer, the singer longs for the banjo man and the banjo man is oblivious to all but his music.  “PATCHES” is the comic absurdity of Jazz.  “AMERICAN JAZZ” came after fateful September 11! ~ Irene

© Irene Nowicki. All rights reserved.